Keeping their forward momentum at warp speed, the Pointer Sisters brought the effusive Steppin' to bear in summer 1975. Having already danced into the spotlight across their first three albums, it was no surprise when the David Rubinson-produced LP, which boasted one of the era's best cut-out sleeves (slingback high-heeled tap sneakers!), cruised to number three R&B. Keeping their feet planted firmly in the older soul tradition which had served them so well, the Pointer Sisters continued to look ahead, carving their own niche in a genre soon to be glutted with contenders. This set is a thriller, from the opening funk groove of the number one hit "How Long (Betcha' Got a Chick on the Side)," which remains a delicious collision of mid-period soul, funk.
The Pointer Sisters were one of the most successful female groups the music industry has seen with 13 top 20 singles and eight top 40 albums shared between the US and UK pop charts.
In 1980 the Pointer Sisters released Special Things, their third album under the production genius
of Richard Perry, launching The Pointer Sisters into the 80s and their most commercially successful period. Special Things featured the gold selling single HE’S SO SHY which returned the group to R&B Top Ten as well as soaring all the way to #3 on the Billboard Hot 100, earning them a Grammy nomination in the process. Also included are the popular Could I Be Dreaming which peaked at #22 on the R&B chart as well as becoming a Club hit alongside the Disco classic We’ve Got The Power.
The Pointer Sisters' 13th charting LP, 1985's Contact, was an exercise in slick, edgy, synthesized pop. Both "Dare Me" and "Freedom," easily the best songs here, marched straight onto the singles charts. The former was an audacious, rough-and-ready come-on draped in a samba beat, wrapped in period trimmings, and brimming with sharp vocal harmonies. The latter, on the other hand, graced the R&B Top 30 with a quiet, soulful dream, riding a light beat and little instrumentation.