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de la Soul

De La Soul - Breakadawn (US CD5) (1993) {Tommy Boy} **[RE-UP]**  Music

Posted by TestTickles at Aug. 5, 2018
De La Soul - Breakadawn (US CD5) (1993) {Tommy Boy} **[RE-UP]**

De La Soul - Breakadawn (US CD5) (1993) {Tommy Boy}
EAC Rip | FLAC with CUE and log | scans | 108 mb
MP3 CBR 320kbps | RAR | 50 mb
Genre: hip-hop, rap

Breakadawn is the 1993 single by New York rap group De La Soul. It is the first single in support of their third album, Buhloone Mind State. Tommy Boy Records were funds.
De La Soul - Millie Pulled A Pistol On Santa (US CD5) (1991) {Tommy Boy}

De La Soul - Millie Pulled A Pistol On Santa (US CD5) (1991) {Tommy Boy}
EAC Rip | FLAC with CUE and log | scans | 209 mb
MP3 CBR 320kbps | RAR | 89 mb
Genre: hip-hop, rap

Millie Pulled A Pistol On Santa was the third single by De La Soul in support of their second album, De La Soul Is Dead. It was a "double A-side" which featured "Keepin' The Faith" as well, the song of which was turned into a video through its remix. This CD5 features two mixes of the title track (including an instrumental) and six mixes of "Keepin' The Faith".

De La Soul - 4 More (UK CD5) (1996) {Tommy Boy}  Music

Posted by TestTickles at May 6, 2016
De La Soul - 4 More (UK CD5) (1996) {Tommy Boy}

De La Soul - 4 More (UK CD5) (1996)
EAC Rip | FLAC with CUE and log | scans | 97 mb
MP3 CBR 320kbps | RAR | 41 mb
Genre: hip-hop, rap

4 More is the 1996 single by American rap group De La Soul. This is the third single from the group's fourth album, Stakes Is High.

De La Soul - Ego Trippin' (Part Two) (US CD5) (1993) {Tommy Boy}  Music

Posted by TestTickles at May 3, 2016
De La Soul - Ego Trippin' (Part Two) (US CD5) (1993) {Tommy Boy}

De La Soul - Ego Trippin' (Part Two) (US CD5) (1993) {Tommy Boy}
EAC Rip | FLAC with CUE and log | scans | 189 mb
MP3 CBR 320kbps | RAR | 74 mb
Genre: hip-hop, rap

Ego Trippin' (Part Two) was the second single in support of De la Soul's Buhloone Mind State album. Released in 1993, the CD features four different mixes of the title track, two different mixes of "Ego Trippin' (Part Three)" and a non-LP track called "Lovely How I Let My Mind Float".

De La Soul - Itzsoweezee (Hot) (US CD5) (1996) {Tommy Boy}  Music

Posted by TestTickles at May 5, 2016
De La Soul - Itzsoweezee (Hot) (US CD5) (1996) {Tommy Boy}

De La Soul - Itzsoweezee (Hot) (US CD5) (1996) {Tommy Boy}
EAC Rip | FLAC with CUE and log | scans | 120 mb
MP3 CBR 320kbps | RAR | 55 mb
Genre: hip-hop, rap

Itzsoweezee (Hot) is the second single by De La Soul off of the Stakes Is High album. This one features a great remix from Jay Dee, a/k/a Dilla.

De La Soul - Oooh. (UK CD5) (2000) {Tommy Boy} **[RE-UP]**  Music

Posted by TestTickles at Nov. 10, 2018
De La Soul - Oooh. (UK CD5) (2000) {Tommy Boy} **[RE-UP]**

De La Soul - Oooh. (UK CD5) (2000) {Tommy Boy}
EAC Rip | FLAC with CUE and log | scans | 77 mb
MP3 CBR 320kbps | RAR | 32 mb
Genre: hip-hop, rap

Oooh. is the 2000 single by New York rap group De La Soul, which features Redman in the choruses. Camp Lo are in "So Good" because they are good. This was released in the UK by Tommy Boy Records.
De La Soul - And The Anonymous Nobody (2016) [Official Digital Download 24bit/44.1kHz]

De La Soul - And The Anonymous Nobody (2016)
FLAC tracks 24bit/44.1kHz | Digital Booklet | 716MB + 5% Recovery
Studio Master, Official Digital Download, AOI Records

Almost 30 years after their debut, 3 Feet High and Rising, transformed the possibilities of a rap record, and nearly 12 years since their last LP, De La Soul are still ambitious outliers. Financed by a Kickstarter campaign, constructed over breaks and beats mined from more than 200 hours of jamming by a live band, and stuffed with guest stars (Snoop Dogg, Damon Albarn, Jill Scott), And the Anonymous Nobody sometimes risks losing Posdnuos, Dave and Maseo in their own record. Tracks like the loopy "Snoopies" (with David Byrne) and old-school throwdown "Whoodeeni" (with 2 Chainz) are glorious bug-outs, but the urban cautionary tale "Greyhounds" (echoing Stevie Wonder's "Living for the City," with Usher on the hook) is a reminder that De La are often more powerful when they're less goofy – and that their greatest strength has always been not caring what hip-hop is supposed to sound like.

L'histoire de La vie  eBooks & eLearning

Posted by hill0 at May 18, 2018
L'histoire de La vie

L'histoire de La vie de Sibylle Ristroph
French | 2018 | ISBN: 2369402016 | 68 Pages | PDF | 14.92 MB

Rebecca Dry & Radek Azul Band - Bring Back Soul (2018)  Music

Posted by aasana at March 10, 2018
Rebecca Dry & Radek Azul Band - Bring Back Soul (2018)

Rebecca Dry & Radek Azul Band - Bring Back Soul (2018)
Rock, Funk / Soul | 42:31 min | WEB FLAC (tracks) | 285 MB
Label: Qsounds Recording

Certains cœurs, certaines voix, n'ont décidément aucune contrainte géographiques, ni temporelles. Bienvenue à bord du Bring Back Soul pour un voyage spatio temporel indéterminé.
Ensemble Meridien; Laia Frigole, Juan de la Rubia - A German Soul: Devotional Music from 17th-century Hamburg (2014)

A German Soul - Devotional Music from 17th-century Hamburg (2014)
Ensemble Méridien; Laia Frigolé, soprano; Juan de la Rubia, organ

EAC | FLAC | Image (Cue&Log) ~ 356 Mb (incl 5%) | Mp3 (CBR320) ~ 162 Mb (incl 5%) | Scans included
Genre: Classical | Label: Brilliant Classics | # 94717 | Time: 01:04:06

This stylishly devised programme juxtaposes cantatas by Rosenmüller, Krieger and Buxtehude with instrumental chorales and sonatas by Scheidemann, Praetorius, Tunder and Weckmann; most of these now known, if at all widely, as forerunners to Bach rather than as fine musicians in their own right as they deserve to be. During the 17th and 18th centuries, Hamburg became a leading commercial port where material and cultural goods circulated freely. Ensemble Méridien has chosen this city as the focal point of a fascinating musical journey through northern Germany, a journey that reveals different aspects of this artistic power. The port of Hamburg was also the driving force behind the north German organ school of the time. Churches were overflowing with magnificent organs, and their building and playing techniques reached extremely high standards, as is evident from the organ music included here. Though most of the music in this recital has been recorded before, it has only appeared on relatively obscure labels, and not in this imaginative context where one may more fully appreciate its dramatic as well as musical merits.