King Crimson evolves, changes, morphs as relentlessly as the Soundscapes which open each concert. Since the 2016 tour of Europe, the band has become a double quartet line-up with Bill Rieflin’s return from sabbatical as keyboard player & Jeremy Stacey’s confirmation as a permanent member/third drummer. This allows for the inclusion of an ever more complex & compelling array of material, far more than can be contained in a single concert. With options for up to three keyboard players in the current line-up – Fripp & Stacey both have setups alongside their respective guitar/drum rigs - the majority of Lizard is performed live for the first time ever, likewise Fallen Angel from Red is making its first ever concert appearance/live recording, Cirkus envelops the listener in sound, the beautiful title track from Islands closes the first set, while staples from the 1980s line-up Indiscipline and Neurotica appear in very different arrangements.
Three CDs featuring the complete concert from Vienna on Dec. 1st 2016 mixed from the original multi-track tapes. CDs Presented in concert sequence with discs 1 & 2 featuring the complete first and second sets. CD 3 features Vienna encores plus the long awaited live recorded debut of Fracture by the 2016 line-up as performed in Copenhagen. CD3 also features a series of soundscapes edited into newly sequenced pieces. Drawn from the introduction music (composed/improvised afresh for each night) & featuring Robert Fripp, Mel Collins & Tony Levin, this essential component of current live KC shows also receives it's most complete presentation to date. Presented in a 4 fold-out digifile package with 16 pages booklet featuring tour photos & notes by David Singleton & housed in a slipcase.
The Massey Hall King Crimson show is one of the most well known and well documented. Live In Toronto is the latest Club silver pressed release which has the complete soundboard recording from that night for the first time. Live In Toronto is truly an important archive release by King Crimson. They’ve mostly been going down the download route, posting their tapes online and not bothering with silver releases. But this one, despite the sub par show, certainly is interesting enough for a Collector’s Club release. This is available from the DGM website for a reasonable price, definitely worth having.
If there were any lingering doubts that King Crimson was back in fine form after the 2014 Live at the Orpheum teaser, they can all be dispelled with the release of the entire show from November 20, 2015 in Toronto. The set list is a fan's dream and includes songs that haven't been played live in decades…